Keep thin in mind and experiment with how fast you can speed up and you'll get a feeling for it. One of the most significant factors that influence the vinyl debate is sound quality. In case of the 2000(xl) for example you can pitch down only 24 semitones. depending on the MPC, the song you want to sample and the speed of the platter you probably can't pitch down enough. Might require some practise.Īfter you have a feeling for that you can put the needle on the record but you need enough time to get the speed so for example if the part you want to sample is after the first refrain you should put the needle to the start of the first verse or so.ģ. Use this to have an 'anchor' and try to hold the speed so the line stand still. Vinyl has been making such a comeback in the last decade or so, and it looks like it’s not stopping anytime soon. The first is the size of the record, the second comes down to the material, and the third includes revelations per minute (RPM).

start turning the platter on the lable of the record and get faster no need to press hard on the record the platter really WANT to turn look at the strobe and you'll realize that as you raise the speed different lines stand relative still. Most modern turntables are designed only to work at 33 (actually 33 1/3) RPM or 45 RPM speeds, to accommodate the Long Play 12 and Single (Juke Box) 7 records. There are several significant things to consider to help differentiate between 33, 45, and 78 records. you don't even need another turntable cause you can either record to the computer first and speed up inside an audio editor or turn the platter by hand without the motor running. Resembling the later LP, these 12-inch diameter discs had finely spaced grooves and turned at just 33 1/3 rpm.

You don't need a special stylus for thatĢ. During the 1930s and 1940s, there were all sorts of experiments with the electrical recording such as Columbia Phonograph Compay’s 1931 first long playing record.

33 1 3 45 and 78 rpm records